Wednesday, July 02, 2008

Ms. Casey Lord's report, Intern from FSD

Internship Report

FSD Participant: Casey Lord
Host Organisation: Sambhali Trust, Jodhpur
Supervisor: Govind Singh Rathore
Dates of internship: 28th April – 28th June 2008





Sambhali Trust
Sambhali Trust was founded by Govind Singh Rathore in response to the treatment of women in a male-dominated society heavily influenced by caste, economic status, religion and superstition. Women are often uneducated and unaware of their rights; do not enjoy equality in society nor in their marriages, and feel oppressed by their strict duties and responsibilties. Sambhali Trust’s ethos is that all members of society, indiscriminate of caste, race or religion, should be valued and treated equally.
Sambhali initiated its Jodhpur project in 2006 with the aim of taking a grass-roots approach to empowering Harijan (“untouchable”) women by providing education and economic opportunities. Sambhali Trust provides a safe environment for learning and development to around forty young women. These women are required to pay a nominal fee upon enrolment with the Trust’s two-year program. They meet at the Trust’s location in Durag Niwas guest house, Raikabagh, daily for perpetual training in new skills: sewing, embroidery, block printing, tie and dye, etc; basic English lessons, yoga practice and social development workshops.
Within the overarching goal of empowering women, Sambhali Trust has the following major objectives:

Objectives
  • To equip participants of the Trust with a host of new skills that can be utilised in the future as income-generating activities,
  • To provide participants with a safe and secure haven from their home duties where they can benefit from free education, emotional support and a forum in which to voice their concerns,
  • To install a sense of worth and equality in the girls and enhance their confidence and self-assurance by allowing them to integrate with other castes and nationalities,
  • To emphasise the importance of nutrition and wellbeing and address any individual needs by conducting regular health camps and dispensing medicines where appropriate,
  • To educate the girls in matters of human rights and encourage them to play active roles in their communities, and
  • To build on the girls’ independence and economic potential by sharing with them the profits of the organisation and setting up active savings accounts.
Needs Assessment
Sambhali Trust’s immediate problem is one of economic sustainability – funds are currently sourced from local donors and Govind Singh Rathore’s own source of income (Durag Niwas guest house), but in order to be sustainable the Trust must develop a strategy to generate its own revenue. The sewing initiative of Sambhali Trust works to empower the girls by equipping them with new skills that can be utilised in their futures as an income generating activity (IGA), but it should be observed that the training period at the Trust has the potential to be used as an IGA for the Trust’s own benefit: items made by the girls during their training period can be sold to tourists and locals at a price that will cover the costs of the materials and supply the Trust with a profit with which to develop the Trust’s infrastructure.


Fair Trade
Fair trade is defined by FINE (the four international fair trade networks: Fairtrade Labelling Organisations International, International Fair Trade Association, Network of European World Shops and the European Fair Trade Association) as:
‘a trading partnership, based on dialogue, transparency and respect that seeks greater equity in international trade. It contributes to sustainable development by offering better trading conditions to, and securing the rights of, marginalised producers and workers – especially in the South’.
Fair trade seeks to create a stronger feeling of dialogue between producers and consumers by ensuring that consumers are aware of the production process and the origins of what they are buying. Today there exist many fair trade organisations designed to monitor and regulate the process from the sowing of seeds to product marketing. In short, their aims are to:
  • Provide fair wages to producers (in the local context),
  • Support safe, healthy, and participatory workplaces,
  • Assist the supply of financial and technical support to build capacity,
  • Ensure environmental sustainability and preservation,
  • Respect cultural identity and traditions,
  • Offer public accountability and transparency,
  • Build direct and long-term relationships, and
  • Educate consumers.

International Fair Trade Association (IFAT)
IFAT is the global network and advocate of over 300 fair trade organisations across 70 countries. Approximately 65% of these organisations are based in the South (Asia, the Middle East, Africa and South America) and the remaining 35% in North America, the Pacific Rim and Europe.
IFAT’s member organisations represent the fair trade chain from production to sale; they consist of producer co-operatives and associations, export marketing companies, importers, retailers, national and regional fair trade networks and financial institutions. The members are by requisite dedicated to fair trade principles and must adhere to the ten fair trade standards as outlined by IFAT, listed below. IFAT holds biennial international conferences where its members can interact and make decisions for the following years.
The 10 Standards of Fair Trade
  • Creating opportunities for economically disadvantaged producers
    Fair trade is a strategy for poverty alleviation and sustainable development. Its purpose is to create opportunities for producers who have been economically disadvantaged or marginalized by the conventional trading system.
  • Transparency and accountability
    Fair trade involves transparent management and commercial relations to deal fairly and respectfully with trading partners.
  • Capacity building
    Fair trade is a means to develop producers’ independence. Fair trade relationships provide continuity, during which producers and their marketing organisations can improve their management skills and their access to new markets.
  • Promoting Fair Trade
    Fair Trade Organisations raise awareness of Fair trade and the possibility of greater justice in world trade. They provide their customers with information about the organisation, the products, and in what conditions they are made. They use honest advertising and marketing techniques and aim for the highest standards in product quality and packing.
  • Payment of a fair price
    A fair price in the regional or local context is one that has been agreed through dialogue and participation. It covers not only the costs of production but enables production which is socially just and environmentally sound. It provides fair pay to the producers and takes into account the principle of equal pay for equal work by women and men. Fair traders ensure prompt payment to their partners and, whenever possible, help producers with access to pre-harvest or pre-production financing.
  • Gender Equity
    Fair trade means that women’s work is properly valued and rewarded. Women are always paid for their contribution to the production process and are empowered in their organisations.
  • Working conditions
    Fair trade means a safe and healthy working environment for producers. The participation of children (if any) does not adversely affect their well-being, security, educational requirements and need for play and conforms to the UN Convention on the Rights of the Child as well as the law and norms in the local context.
  • Child Labour
    Fair Trade Organisations respect the UN Convention on the Rights of the Child, as well as local laws and social norms in order to ensure that the participation of children in production processes of fairly traded articles (if any) does not adversely affect their well-being, security, educational requirements and need for play. Organisations working directly with informally organised producers disclose the involvement of children in production.
  • The environment
    Fair trade actively encourages better environmental practices and the application of responsible methods of production.
  • Trade Relations
    Fair Trade Organisations trade with concern for the social, economic and environmental well-being of marginalized small producers and do not maximise profit at their expense. They maintain long-term relationships based on solidarity, trust and mutual respect that contribute to the promotion and growth of fair trade. Whenever possible producers are assisted with access to pre-harvest or pre-production advance payment.
Asia Fair Trade Forum (AFTF)
It was decided at an IFAT conference in Manilla in 2000 that a network of region-specific branches of IFAT should be established, hence Asia Fair Trade Forum was officially created in 2001 to monitor 88 Fair Trade Organisations in twelve of the poorest Asian countries: Bangladesh, Cambodia, People’s Republic of China, India, Indonesia, Laos, Nepal, Philippines, Sri Lanka, Thailand, Timor Leste and Vietnam. These organisations consist of producers, marketing intermediaries and sales outlets.
AFTF shares the ten standards of fair trade defined by IFAT.

Fairtrade Labelling Organisations International
It is important for ethically-minded consumers that they can clearly differentiate fair trade products from non-fair trade products on the market, and vital for the growth and success of the industry to have an easily identifiable logo for these products. Fairtrade Labeling Organisations International (FLO) was set up to regulate the use of such logos and symbols used on packaging. For a producer to claim to be ‘fair trade’, that they have met the 10 standards as laid out by IFAT, they must be certified by FLO. There are currently 21 labels officially recognized by FLO.
It is possible for a producer to have only a fraction of their total products certified, and also for a composite product to be labeled fair trade when only 50% or more of its ingredients (by dry weight) are sourced from fair trade certified producers.

Fairtrade Foundation
The Fairtrade Foundation is a non-profit organisation established in 1992 as the UK member of FLO. Fairtrade Foundation licences the use of its distinct black, green and blue FAIRTRADE Mark, recognized and trusted by thousands of consumers, on all fair trade products sold within the UK.
The Foundation’s mission is to work with businesses, community groups and individuals to improve the trading position of producer organisations in the South and to deliver sustainable livelihoods for farmers, workers and their communities by:
  • being a passionate and ambitious development organisation committed to tackling poverty and injustice through trade,
  • using certification and product labeling, through the FAIRTRADE Mark, as a tool for their development goals,
  • bringing together producers and consumers in a citizens’ movement for change, and
  • being recognised as the UK’s leading authority on Fairtrade.
For a product to bear the FAIRTRADE Mark it must meet the standards set by the FLO. FLO defines product-specific standards for growers/producers of bananas, cocoa, coffee, fruit, honey, etc, but none have yet been defined for handicraft producers. This is because Fairtrade certification and its system of minimum pricing were initially designed for commodity products. It is technically difficult to adapt this model of standardised minimum pricing to crafts and other products made by small-scale artisans, which are each unique, made of varied materials and have highly varied production processes and costs. However, FLO is currently working with IFAT to explore whether a certification program could be developed for these products in the future.
Summary
It should be noted that there is a difference between ‘Fair Trade’ and ‘Fairtrade’, and as this document uses both terms, it is important to distinguish between them. Fair Trade (two words) refers to the concept of ethical trading as a whole and can be used to describe producers and their products whether or not they have been certified by FLO. Uncertified producers and organisations such as IFAT may be referred to as Alternative Trade Organisations (ATOs). Fairtrade (one word, often seen in capitals) is used when describing all producers, products and trading practices approved by FLO.
So how can small organisations working with handicrafts and composite products benefit from the fair trade movement? Since its initiation, fair trade has grown into a hugely successful trading and marketing concept working towards eradicating unjust trade and fighting the circle of poverty. Fair trade and the notion of ethical trading have received much attention in the West and today make up a high proportion of the retail sector. The Fairtrade Certifcation Mark was introduced to allow producers to certify a proportion of their products as being fairly traded, without being certified themselves. This allows them access to the benfits of fair trade without drastically changing their established traditions, techniques and partnerships with non-fair trade suppliers. SambhaliTrust could easily develop one or two products with the intention of applying for a Fair Trade Certification Mark.
It is important to network with organisations such as the ones listed here, even if a producer is still in the process of refining its processes and conditions to meet fair trade standards, as guidance from such organisations will ensure that development and growth is done in the best, most ethical, way possible. Fair Trade Organisations can also assist with a producer’s infrastructure; for example, on top of the Fairtrade Minimum Price, the Fairtrade Labelling system guarantees a premium for producer organisations or workers bodies to enable them to invest in social, economical or environmental improvements.
Organisation Visits
Observing the growth and development of other, similar NGOs is an excellent way to learn about organisational structure and management and should be regarded as an essential tool in assisting Sambhali’s strategic decision making. A young NGO, particularly one with insecure funding, is likely to encounter many systematic problems. Long-standing, successful and self-sufficient organisations are living proof that such problems can be overcome and can offer a wealth of information and advice for dealing with them.
Nila Moti and Seva Mandir (Sadhna) are two firmly established organisations with significant outreaches and strong operational structures. I conducted field visits to each organisation in order to see how they are managed and to enquire about the problems they have faced.

Nila Moti
Khimsar, 4th May 2008
Nila Moti, meaning blue pearl in Hindi, was started in 1992 by Swiss couple Monica and Michel Matter as a foundation with a sales outlet in Penthalaz, Switzerland selling Indian handicrafts. In 2001 the profits from the foundation were used to construct a crafts center in Khimsar, Rajasthan where village women could learn and practice sewing and embroidery, earning themselves a fair wage and maintaining the self-sustainability of the foundation. The foundation initially employed 15 women; the number has now reached 88 (2007).

Nila Moti products are sold in international boutiques and high-end hotels in Rajasthan.
Nila Moti is famed for its rich styling, fine fabrics and high quality production. By using such fine fabrics and employing strict quality control measures Nila Moti is able to address a high-expenditure market and implement large profit margins. Thus, it could be said that product quality is instrumental to the foundation’s sustainability.
Members
Nila Moti employs women who live in the local vicinity of Khimsar. There are no social or caste-related requirements but women in ‘humble’ conditions with children are given preference. The women are required to be at the crafts center between the hours of 9am – 5pm Monday to Saturday. Their daily schedule includes thirty minutes daily yoga practice and one hour lunch break.
Organisation
Monica Matter employs a designer in Switzerland to create new items for the Nila Moti label. A sample is sent to the crafts center, along with a bulk order of the required fabrics, whereupon the local ‘master trainer’ interprets the sample and drafts a pattern for the item. The fabric is cut from the pattern and distributed to the women to be sewn. The pattern drafting and cutting is done by the master trainers in the main office at the crafts center. This office is the heart of the center, holding all the stock, materials and orders. All sewing and embroidery is done in the surrounding workshops.
At every stage of the production process, each woman who contributes to a piece must note her name and time spent on it on a small label attached to the piece. For example, it was seen that the big elephants (a signature product of Nila Moti) would take 7hours 45 minutes to produce, whereas a skirt would take 18-20 hours. Each woman has a personal record book kept at the crafts center where a daily log of assigned and completed work, including the time taken and a description of the work, is recorded.

Training
Women are trained at the crafts center for six months by Monica Matter’s Swiss tailor. They are trained in stitching, embroidery, patchwork and beading, and given guidance on the different treatments of silk and cotton. The women are paid 1,500 Rs per month throughout this training period.
Following the training period the women are required to be present at the crafts center during on each working day. The women are not permitted to work at home.
Finance
Each woman is paid by piece, directly into her bank account. A monthly wage will be in the range of 1500-4000 Rs, depending on the woman’s ability and speed. Of the money that is invested in Khimsar, half of it is directed towards the crafts center; the other half to the construction of a school being built next to the crafts center.

Marketing and Sales
Although the crafts center is open for the public to visit it is not possible to purchase anything from the center. Consumers must go to one of the sales outlets: Nila Moti sell their products nationally in the shops of Khimsar fort and Umaid Bhawan Palace, Jodhpur and internationally at the Nila Moti boutiques in Penthalaz and Berne, Switzerland. At the time of the visit (June 2008), Khimsar fort was closed to the public and Umaid Palace had a very limited range of products.
It was seen at the crafts center that a small elephant costs 650 Rs to produce, including all materials, labour and overheads. The small elephants are available for purchase at Umaid Palace shop for 1,650 Rs.

Evaluation


The crafts center is a large, airy building with modern facilities housing seven workshops, several offices, a yoga studio, kitchen and bathroom. The rooms are spacious with large windows, simply decorated and are kept neat and tidy with no distractions from work. The women working at the crafts center were found to be relaxed and focused and the office from which the orders are managed was adequately staffed and organised.
Insisting that all work is done in the crafts center rather than at the women’s homes or elsewhere in the village serves three main purposes: it allows all managerial staff to monitor the quality of work at each stage of the production process, grants women convenient access to their master trainer for help and advice, and ensures that materials are not exposed to unclean conditions. However, it does mean that Nila Moti’s overheads are significantly increased: the crafts center must be large enough to house their entire production force and have adequate light in all hours of the working day. Further, having set working hours restricts the women’s freedom to decide how their employment at Nila Moti fits into their busy lives.
Nila Moti’s system of labeling each piece with the maker’s name ensures that any quality control problems that arise can be traced back to the production source. A recurrent problem that we have encountered at Sambhali is lack of accountancy from the girls for work that is poorly made. Keeping track of the time spent on each piece also helps with pricing the Nila Moti range and ensuring that each woman receives a wage appropriate for her work.
The Khimsar crafts center was impressively organised and managed, despite the absence of its director, Monica Matter. Monica Matter visits the center quarterly and was not available at the time of visiting. Hence, I prepared an informal list of questions to send to her. (At the time of writing these questions had not been answered).
Interview with Monica Matter:

1. Feasibility
Did you have to research the Swiss market before opening the Nila Moti shop?
What was included in your research? i.e. a consumer survey, a test range of products to determine sales.

2. Designing
Why do you use a Swiss designer instead of an Indian one?
Who is the designer in Switzerland - a professional designer or tailor, a friend? How did you find them?
Are they trained in Asian designs and production methods?
Are they paid by salary, by piece/range, or do they volunteer?
How do the master trainers in Khimsar contribute to the designing process?

3. Khimsar
How do you recruit the women and the master trainers?
What exactly goes into the training process? - How long does it take, who does it involve, are stitching/embroidery methods taught only or do you train the women how to make specific articles/garments in this training period?
How do you ensure quality control in the workshops?
What happens to work that falls below your quality standard?

4. Finances
Do you accept donations and grants?
Do you have to pay rent at Khimsar Fort and Umaid Palace? Does each shop have a lease and if so, for how long?
What is the annual turnover of Nila Moti, both financially and quantitatively (in terms of products sold)?

5. Finally,
Is Nila Moti sustainable?
Do you plan to hand the managerial side over to somebody else in Switzerland/India in the future?
What advise would you give to a sewing cooperative in its early days?

Sadhna
Udaipur, June 2008
Sadhna started in 1988 as the ‘patchwork program’ of Seva Mandir, a large NGO in Udaipur, with the aim of providing 15 women with a means to generate income to strengthen their socio-economic status and empower them within their community. In December 2004, Sadhna was registered under the Mutual Benefit Trust Act as an entity independent from Seva Mandir. Sadhna was initially reliant on Seva Mandir for funding, but by significantly increasing the quality of its production, has reached a One Crore Rupees turnover and now stands as a self-sufficient enterprise boasting 618 members. Sadhna’a signature style is easily recognizable by their use of high quality natural fibres (cotton and silk) and their trademark tanka (running stitch) embroidery and appliqué.
Sadhna has a large stitching center in Udaipur and two city-based sales outlets. The 618 members are based either in the Udaipur stitching center of in one of 9 local villages: Delwara, Madar, Sheeshwi, Pula, Ratakhet, Manoharpura, Semal, Kharol Colony and Khanjipeer.
Members
Sadhna accepts 70-100 new members per year and insists on only employing married women aged 18-35 years, stating that this requirement ensures a long-term commitment from the employee. The women are paid per piece and are free to work as much or as little as they can manage. The women are typically responsible for many home duties, so this freedom grants them full control of the role of their Sadhna membership in their lives. Aside from economic security, the women enjoy various benefits from their cooperation with Sadhna: annual eye tests, subsidised health insurance and provident fund and savings benefits.

Organisation
The village women are organised into groups, each having 15 members and one group leader. There are 40 group leaders in total who have the responsibility of monitoring the progress of their group and ensuring that work is completed to a high standard. They also oversee the payments of each member in their group. The group leaders meet every quarter and at the annual meeting with all Sadhna members to discuss issues, find solutions and share experiences.
Sadhna’s stitching center is divided into separate sections for store, cutting and quality control, stitching and finishing, ironing and packaging and dispatch. This segregation has resulted in increased efficiency and more organised production. Twenty salaried staff are employed at the stitching center. When Sadhna receives an order, the master trainer interprets the design and drafts a pattern for the item. Garments are made in various sizes, all of which have set measurements. The fabric is then cut by hand using a cutting machine that can slice through up to 200 sheets of cotton. This saves time and ensures consistency. Applique cuts are then made, again by hand, using a chisel. The pieces are then delegated to the machinists to be stitched.

After stitching, the work is rigorously checked by a quality control employee. The work is then sent to the villages to be embroidered. Again it is checked, this time by the team leader of the group, and sent back to the Udaipur stitching center where it is ‘finished’ (loose threads are tied and cut, etc.). The finished piece is ironed and packaged for delivery.
Materials are stored in the stock room; a register is kept of all stock.

Training
The women are trained for three months by a hired professional. The village women are trained only in tanka and appliqué; those working from the stitching center are trained are tailors. Despite having a seemingly long training period in which to learn only two skills, it is found that it takes most women up to two years to reach the high standard of quality demanded by Sadhna.
Finances
Each member of Sadhna is required to pay an initial fee of 251 Rs and an annual renewal fee of 101 Rs. The women are paid per piece, directly into the bank account that Sadhna set up for them. The team leaders are also paid per piece for the work they produce and enjoy an extra benefit of 10% of the total income generated by their group. A typical monthly wage can vary from 600 Rs to 5,000 Rs, depending on a woman’s ability and commitment. At the end of each financial year the profits are calculated and split between Sadhna (for development) and each of the 618 members.
When Sadhna begun 15 years ago it produced only homeware (cushion covers, bedspreads, etc.) and was heavily reliant on Seva Mandir for funding. Sadhna has recently established a strong connection with franchises in the Indian retail market such as FabIndia, People Tree and Shopper’s Stop and, with its large body of members and high quality machinery, is now able to produce bulk orders of up to 1,000 kurtas. Making up 80% of Sadhna’s production, these bulk orders have become vital to Sadhna’s financial sustainability; but by working with labels such as FabIndia they have had to sacrifice putting their own label on the garments, thus limiting their transparency with consumers.
Sadhna have now been self-sustainable (breaking even or in profit) for the last six years. Please refer to their annual review for a detailed financial analysis.

Marketing and Sales
Sadhna’s own label garments are certified by CRAFTMARK (for tanka and appliqué) and Fair Trade, USA. Such certifications are instrumental in authenticating handicraft products to a Westernised market by guaranteeing both quality and social morals. These certificates are renewed every year.
In order to access a domestic retail market Sadhna employs several marketing agencies to consult on market trends, ways to incorporate traditional techniques into modern fashion and how to form links with international buyers. Sadhna has benefited from long-term relationships with two notable market consultants who have been fundamental to Sadhna’s economic growth.
They have curated solo exhibitions in New Delhi and participated in group exhibitions nationally and abroad. From these exhibitions Sadhna hopes to promote its brand identity, network with buyers and receive orders for samples from retailers in both domestic and international markets. Sadhna are yet to establish a trading partnership with a foreign market, but samples are nonetheless important for encouraging the design team to come up with new ideas related to style, quality and trend.

Evaluation
Sadhna are undoubtedly a hugely successful organisation, brand and business enterprise, and can serve as an inspirational role model for Sambhali. A comparison of Sadhna with Sambhali invokes the main difference of sources of funding – Seva Mandir provided generous and reliable economic support for a substantial period through which Sadhna were developing their managerial structure and establishing their identity in the sales market. In addition to this economic funding, Sadhna’s association with Seva Mandir, a respected and trusted NGO in Udaipur, helped Sadhna to be accepted into the community.
Another main difference between Sadhna and Sambhali is that Sadhna, partly due to its capacity, satisfies ‘anonymous’ bulk orders, i.e. produces bulk orders under a label that is not their own. The reason for this is that it enables Sadhna to operate self-sufficiently. These labels, such as FabIndia and Shopper’s Stop, are not marketing Sadhna’s brand identity and are acting as a ‘middle man’ between producer and consumer, a position condemned by Fair Trade Organisations. By using such ‘middle men’ Sadhna are in effect producing work anonymously to consumers. Moreover, it should be noted that Sadhna does not have any long term contracts with these brands. This puts Sadhna in a somewhat dangerous position, since if FabIndia decides to use an alternative production house Sadhna will be left with no orders, reliant on their own brand identity and susceptible to unsustainability.
The organisational structure of Sadhna facilitates its capacity: the stitching center is organised effectively and logically, resulting in a clear and efficient production process. The atmosphere in the stitching center was relaxed and focused, one could detect that the women were well-trained, duly informed of their roles and dedicated to their cooperation with Sadhna. Perhaps the most notable feature of Sadhna’s structure is it’s commitment to forming women into groups, rather than treating them as an individual. It is seen in many areas of development that considering the psychological aspect of ‘duty’, whether it be a social responsibility or a savings account, is taken more seriously when a woman is linked to a group of other women who share her circumstances, status and ideas. Sadhna has tapped into this self-help group model and has organized its members into groups, making their commitment to Sadhna one of social responsibility and economic security.

Conclusion
The concept of fair trade is a recent one in the retail market and one that is encompassing more and more of the commodity sector. The demand for ethically produced and traded commodities is growing rapidly in the West and Sambhali could reap the benefits from accessing such consumers. Hence, it is important for Sambhali Trust to attain a position at the forefront of the fair trade movement, especially in these early years of intense promotion in Asia and the progress towards establishing a fair trade label for handicrafts. Sambhali should seek to structure their income generating activities around fair trade principles regardless of whether they can be certified by FLO. Associating with fair trade organisations will provide Sambhali with a network of support, advice, and better access to financial assistance and international markets. Being a member of the Asia Fair Trade Forum will also enable Sambhali to keep up with recent news relating to fair trade.
There is no doubt that Sambhali will require more funds to reach a position of self-sustainability. It might be useful at this early stage to devise a business plan that can be put into place now in order to ensure self-sustainability in the future. This business plan should describe the best way for the Trust to organise itself in a way that will minimise operating costs and maximise revenue generated from materials. All work produced throughout the girls’ training period should be either sold or recycled. Maintenance and depreciation of the Trust’s equipment must also be incorporated: sewing machines are vital for producing larger handicrafts but are expensive to replace.
Plans should be made for how to train the girls and in what specialisation to train them, and how to extend their training upon completion of their time at the Trust. It is important for community development that the girls’ skills are put to good use after graduating. Sambhali could indeed benefit from this. By establishing Sambhali India as a company that sources its products from graduates of Sambhali Trust, or even as a cooperative, the girls will have guaranteed employment and Sambhali India will enjoy a close relationship with its employees based on trust and understanding.
From the research visits I conducted and by speaking to local experts, I have noticed some common features of successful handicraft initiatives. One of the most prevalent is the insistence of such initiatives on only employing married women. This is to ensure a long-term commitment from their employees, and is based on the assumption that married women will discuss their employment with their husband before starting work. Fair trade organisations usually require all women to be above the age of 15. It has been found that older women and those with prior experience of managing a house and a family are better suited to managerial roles within a grass-roots organisation.
Currently, the girls are paid a small stipend to cover their transport costs and a percentage of the sales price from the work sold at the guest house. Sambhali Trust should make sure that the money earnt by the girls is paid directly into their bank account, rather than by cash, and that the girls understand the importance of saving. Some features of self-help groups can be incorporated here: perhaps the girls could share group account that adds a social dimension to the responsibility of regular saving. It should be noted that there is a psychological difference between having ones savings deducted from ones wages by an employer and choosing to transfer some proportion of ones own wages into a savings account. By having control over their savings the girls will feel empowered and independent. For employees of Sambhali India, the girls could design their saving patterns to be a mixture of some regular monthly installment (50-100 Rs per month) and a percentage of their earnings. The inflated savings could then be invested between students of Sambhali Trust and a sewing cooperative for its graduates.

Further Reading
Sambhali Trust: www.sambhali-trust.org
International Fair Trade Organisation: www.ifat.org
Asia Fair Trade Forum: www.asiafairtradeforum.com
Fair Trade Federation: www.fairtradefederation.org
Fairtrade Foundation: www.fairtrade.org.uk
Fairtrade Labelling Organisations International: www.fairtrade.net
Nila Moti Foundation: www.nilamoti.org
Seva Mandir: www.sevamandir.org

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